Read From Girls to Grrlz : A History of Women's Comics from Teens to Zines on-line
Read From Girls to Grrlz : A History of Women's Comics from Teens to Zines on-line, Download From Girls to Grrlz : A History of Women's Comics from Teens to Zines
Description
Boys aren't the only ones who read comics—girls do too! From Betty and Veronica to Slutburger and Art Babe, Girls to Grrrlz explores the amazing but true history of girl comics. Pop culture fans will delight in author Trina Robbinss chronological commentary (with attitude) on the authors, artists, trends, and sassy, brassy characters featured in comic books for the last half-century. Meet the bubble-headed bombshells of the '40s, the lovelorn ladies of the '50s, the wimmin libbers of the '70s, and the grrrowling grrrlz of today. Her commentary is paired with a ton of rare comic book art pulled from the best girl comics published since World War II. Bridging the gap between Ms. and Sassy, between Miss America and Naomi Wolf, From Girls to Grrrlz reminds us how comic book characters humorously—and critically—reflect our changing culture.
This collection is in many ways an indispensable history of women in comics since the 1940s. Author Trina Robbins used to hang out in comics shops with her boyfriend, waiting impatiently, assuming that comics was essentially a boy's medium. Looking closer, Robbins realized there was a hidden history within the comics world, one that reflected cultural shifts in ideas about women--if you look at how women are drawn, you learn a lot about how women are imagined. Robbins edited the first all-women comic book, It Ain't Me, Babe, and her insider knowledge is clearly encyclopedic. Before the grrrl comics like Ellen Forney's Tomato or Jessica Abel's ArtBabe, there was 1943's Girl's Life, narrated by a cartoon teenager named Patsy Walker who wants nothing more than to become a beautiful movie star. Then there are Betty and Veronica with their impossible breasts, and Wimmin's comics of the early '70s, in which the drawings pulse with angry life, druggy and hopeful.
From Girls to Grrrlz occasionally suffers from tunnel vision--analysis is not Robbins's strength. She's so immersed in the world she's documenting, she's never objective about it; she never rises out of the cartoon world for a feminist discussion of what it means for women to start drawing themselves, to start telling their own stories via this boy-dominated medium. Nevertheless, it is a well-organized, beautifully presented tribute to women as creators and characters. The full-page reproduction of "The Further Fattening Adventures of Pudge, Girl Blimp" is by itself worth the price of admission. --Emily White
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